The Reilly Papers
Art Lessons from the hand-written lecture notes of Frank J. Reilly by John Ennis.
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Saturday, January 1, 2011
The Lay-in
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Paint Application The lay-in is the initial application of opaque paint, wet paint brushed onto a dry wash-in. If your wash-in values are a...
7 comments:
Saturday, December 25, 2010
Complexion
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From Reilly's notes: "The complexion should be first comprehended as a generality. Visualize at the start of a painting the model...
1 comment:
Saturday, December 18, 2010
The Color Note
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ColorNote On Wash-In ©1955Allison In the Reilly class we spent the first half-hour of each session drawing from the model, the remainder ...
3 comments:
Tuesday, December 14, 2010
The Reilly Palette: a Palette of Convenience
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To set up the figure-painting palette, you must first create the string of neutral control values described in the previous post. By the 197...
5 comments:
Saturday, December 4, 2010
The Reilly Palette: The Reilly Neutrals
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At the core of Reilly's Universal Palette is a scale of equidistant value steps called the "Neutral Control" values. The main ...
5 comments:
Sunday, November 28, 2010
The Munsell color notation.
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It would be difficult to advance with this project without offering a short primer on Munsell. Reilly adopted the Munsell Color System for h...
11 comments:
Sunday, November 21, 2010
Edges
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Edge modeling is an essential ingredient to successful representational painting. The first thing I look for is what Reilly called the ...
29 comments:
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